News flash for 2019 AFG Faceting competition
for 'Specified Size Sections' & ‘Specified Minimum Size’ the minimum size
in all other Sections is 6mm on shortest axis of outline shape when viewed from
above. Stones up to and including 0.1mm below minimum size, as measured by the
Judge, will be eligible. Stones which are
more than 0.1mm below minimum size will be ineligible. Minimum size does
not apply to 'Specified Size' sections.
The New VJ faceting machine
A new twist on Master Facetor
This article is reproduce with Permission from
I recently offered a different point of view on what constitutes a “master”, or in our case a “master Facetor”. I was actually surprised at the stink I kicked up and at the reaction from a few people.
There are all types of masters was all I was trying to say. A person that just cuts in contests to meet point and polish, while a master at those two things is a long way from being a true master of the subject of faceting and all it entails.
Also remember in the real world, nobody really cares. It is a quality stone or it is not. It is a sellable stone or it’s not. Nobody asks about whether the stone was cut by a “Master Facetor” or cares. The stones speak for themselves.
But for discussions sake. I think that perhaps there needs to be some definitions of the terms we are using and qualifications of categories that these terms apply to.
Here is what Webster’s says. “Webster’s Encyclopaedic Unabridged Dictionary of the English Language” Master (mas’ter),
1– A person with the ability or power use, control, or dispose of something.
2– An employer of workmen or servants.
3 – One who commands a merchant vessel?
4 – The male head of a household.
5 – An owner of slave or animal.
6 – Presiding officer.
7 – A male teacher or schoolmaster.
8 – A person whose teachings one accepts or follows.
9 – The Master, Jesus Christ.
10- A victor or conquer.
11 – A workman qualified to teach apprentices, and to carry on his own trade independently.
12 – A person who is eminently skilled in something, as an occupation, art, or science.
13 – A title given to a chess or bridge player who has won or placed in a certain number of officially recognized tournaments.
14 – One holding this title.
15 – A person who has been awarded a Master’s degree.
16 – A boy or young man.
17 – Also called a matrix.
18 – Something to be mechanically reproduced from a master.
19 – A device for controlling another.
20 – Being a master of a trade or skill, able to work independently, rather than a workman employed by another.
21 – Eminently skilled in a trade or art.
As you can see there are all types of “masters” in the dictionary. The depth of knowledge required to be a master can, of course be varied and must be defined to mean anything in reality to a craft or art.
My personal definition of a master of anything is. (Not just faceting) – A person who has achieved extensive knowledge and experience of an entire art or trade and that subjects related fields. I am not talking about just one small area of faceting. If you are a master then you need to know all about the subject and its relationship to other fields that it impacts.
For example a master facetor would need to have a basic knowledge of jewellery. Why? Well how can you cut and design a gemstone for a piece of jewellery (the main usage for gems) without at least knowing some basics of how a gemstone is set and used? How would I apply that definition to faceting? Well to me a “master of faceting” would need to know and have extensive knowledge of. (If you think about it, I suspect you can think of a lot of things that I have not thought of that should be on this list).
Finding quality rough to cut – This is often a hard one and is certainly something a master would need to be able to do. No rough, No cutting.
Selecting rough – This is actually a complete subject of its own and people spend their entire lives just learning how to read and select rough.
Cleaning/cobbing rough – Rough almost always has to be cleaned and sawed, cobbed whatever, before the faceting process begins. Another complete subject that people spend their entire lives just learning how to do.
Buying rough – How do you make money? Or at least get your money’s worth? Yes, again experience and usually a lot of years are required.
Selecting a design for rough – There could be entire books written on this subject. Only a whole lot of experience will really help someone actually know with any degree of certainty how a particular stone and design will look when finished.
Creating a design for rough – There has been entire books on this subject. A true master would have to be able to do this with a high degree of skill. Or at least be good at selecting designs for rough.
Balancing yield, cost, performance for rough – Talk about experience? Business, art and science all in one.
Optimizing various aspects of rough and finished gem stones – In other words what you need to get out of the rough depending on the circumstances involved. Cost? Customer? What you want out of the stone?
Faceting the stone – Sound simple? Well what about curved faceting, fantasy faceting, flat faceting? To be a true master a person would have to have at least working knowledge of all the ways a stone can be faceted. Not just one method of faceting. A master of faceting would need to be accomplished in all these forms because they are all faceting.
Cutting all types of rough – If you only facet a few types of rough, how can you be a master?
Setting the finished stone – A master facetor has to know how a stone is set or how a particular stone and design needs to be set, in order to cut the stone properly for the jeweller to use.
Selling – Well for the hobby that is not usually a problem because most hobby people cut for enjoyment and do not sell. But a master (in the business especially) would need to know, what, how, when, where, pricing and many other things that it takes to make money. Again this is all part of the subject of faceting.
I could go on and on but you get my point. There are very, very few true masters at anything. In the old days particularly, but now too. Most trades (plumbing, electrical, sheet metal, wood working, etc.…) had a system that they use to train and make masters. The guilds had a series of levels and test that had to be met to achieve a master’s title.
People started as apprentices worked to journeyman, (I did, and no I do not consider myself a master, professional yes) and generally work for years and years to become a master. It is often a lifetime before they achieve the title “Master”.
Without exception historically almost all guilds were created to preserve and promote not only a subject or craft, like wood working for example, but train and create people that would and could make money at the profession. Guilds were all about making money and training people to a proper quality level to do so. In a lot of places if you were not a credited member of a guild in good standing you were not allowed to make money or be in business in that guild’s profession. In those days if you tried to operate outside of a guild, you could very likely end up in jail.
It was not until now with modern leisure time that there has been guilds created for strictly hobbies with no financial interests.
To become a master in a guild. A Person had to show complete knowledge of the subject. For example in wood working. A journeyman would need to show he could make all the various types of joints and work in all types of wood, designs and usually demonstrate leadership and business knowledge before becoming a master in the guild. Not just a few joints or areas of narrow focus of wood working, but the complete subject of wood working.
A master was expected to be able to do everything in their craft. Including run the guild/craft.
Unfortunately faceting does not have a system to train and create masters. Not in an overall sense of the subject of faceting.
Yes, the USFG and the Australian guild (maybe some others) do have a cutting and training/grading program for their CONTEST cutting. You start out as a “novice” and cut the required stone and move up, eventually to the “their master level”.
However, their program while good (I recommend it for anybody that wants to enter and compete in cutting contests) is about basically meet point and polish, contest cutting. They do not grade or teach anything but contest faceting. Of course that is their main purpose, to promote contest faceting, and faceting in general depending on the club and contest.
There is nothing wrong with that, but contest cutting by definition is a narrow focus. It is a valid subject and one that some people like to compete in. The people that go through the contests and win I would call. Well here comes the working definition part.
“Masters of Competition Cutting” – A person who has competed and won the title for meet point and polish faceting in a recognized faceting competition, like the USFG or Australian Guild.
The people that have done the work and won, certainly have the right to claim “Masters of Competition Cutting” title. But they do not have the right to claim to be over all “Master Facetors” as I have heard a few say. Not in my opinion.
Why? Simple they do not have the overall knowledge for the title of masters of the complete subject of faceting (see above) and have only proven that they have mastered meet point and polish.
Generally the competition cutters in the USFG and Australian contests are hobby people and do not deal in or have experience of the gem trade. By the same token the people in the gem trade with the stone knowledge seldom compete in competitions and meet point and polish, at least in the USFG or Australian competition arena.
These two groups have different goals and there for different definitions of what being a master is to their specialty. Apples and oranges and the two groups seldom mix. I would personally like to see more mixing because I think both groups would benefit from the other’s perspective. But just winning a contest of any kind, including hobby or commercial contest does not automatically mean a winner is a “master facetor”. What winning does mean is that they mastered the competition, whatever the rules happen to be.
So what to do? Well in my opinion there is nobody that is a complete “Master Facetor”, the subject is just too large. So the obvious thing to do is realize that there are different types of masters and levels of expertise.
“Masters of Competition Cutting”- Master of meet point and polish cutters.
“Master Diamond Cutters” – Masters of cutting diamonds.
“Master Coloured Stone Cutters” – Masters of cutting coloured stones.
“Master Curved Facetors” – Masters of cutting curved faceted stone.
“Master Gem Designers” – Masters of creating gemstone designs.
“Master of Rough” – Masters of finding, selecting, cleaning rough..
You see what I mean there are many types of masters. To be a true “Faceting Master” someone would need to hold most or all the above titles and probably many more I have not thought of.
Remember there can be lots of different types of masters and that faceting is a very large field. It is a large world and room enough for different types of masters on different subjects in the faceting world. Bottom line in the real world is. “How does the stone look?” and can it be sold for a profit if you are in the business. Or if you are not selling stones. “How did the ladies like it?”
One last thing… Some people take titles entirely too seriously. The point is to have fun faceting or make money. If you are lucky you can do both. Like I said nobody really cares much about a “master anything” in the trade or real world.
Under the Articles for the Association, Clauses 46 (b) and (c), nominations for the Office Bearers and Directors of the Australian Facetors' Guild Ltd have been extended to and will be accepted up to the 24 July by the Secretary. The AGM Agenda including the Nominees will be published in Facet Talk 222. Facet Talk 221 contains the relevant form. Please forward nominations to the AFG Secretary, PO Box 332, Mapleton, Qld. 4560 OR E-mail a copy of the completed form to firstname.lastname@example.org by 24 July 2018
NEWS FOR THE 2018 MUSTER
A precious metal clay workshop will be undertaken on 3 and 4th September if enough interest is shown.
Metal clay is a pure silver with a binder that can be moulded and formed into various jewellery patterns with Cz stones included if required,it is a soft putty type material that when dried is fired in a kiln to remove the binder and form solid non tarnishing silver 99% pure.
This photo is a sample of what may be made:
All material and tools plus kiln will be provided.Participants can bring own CZ up to 8mm if required.At this time cost will be between $30 to $40 dollars depends on clay prices and number interested.
Please register your interest to Rod Turville email : email@example.com
Alexandre (Alec) Wolkonsky
10 February 1928 - 20 February 2018
John Broadfoot (Facet Talk Editor)
It is with great sadness that we have lost a world faceting identity. Alec Wolkonsky died at his home in Saint Cloud, Paris on 20th February after a short illness; at the age of 90. After he retired in the 1980s he took up lapidary with a main interest in faceting.
He joined the Australian Facetors’ Guild in 1985 and was made a Life Member in recent years. He was also a member of The United States Facetors’ Guild and the United Kingdom Gem Cutters Guild, both formed in 1990. He became member of the Columbia-Willamette Faceters’ Guild in 1986. He had designs selected in the Columbia- Willemette Facetors' Guild's World's best 12 designs of 1987 and has been acknowledged as a cutter and designer by the diamond expert, Basil Watermeyer.
Alec worked closely with Dr Piet van Zanten (Belgium) to improve the performance of designs and they jointly published many designs. He also worked closely with Bob Long and Norm Steele and many of his designs have been made available through Seattle Faceting Designs (Long & Steel) of which some 59 are in the DataVue database which may be accessed through GemCad (Robert Strickland). Alec was also well published in Faceting journals and newsletters around the world. His designs were provided freely to all faceting organisations in the world. The AFG obtained permission from Alec to reproduce his designs in booklet form to sell to members.
Alec visited Australia in 1989 and stayed with a number of AFG members. Alec was hosted by John and Hazel Broadfoot in Brisbane and Peter and Pat Collins in Warwick and was the guest speaker at the 1989 AFG Seminar. He gave his time willingly to share his knowledge through his presentations and discussions.
Alec’s favourite gemstones were beryl, aquamarine, tourmaline, sapphire and garnet. He often visited Africa and other countries to buy his gemstone rough directly from the miners. He would also be seen at most large gem shows in Germany, France, Hong Kong, Canada and the USA. Alec contributed so much to faceting over more than 30 years through new designs and research to improve the performance of faceted gemstones. He was made a Life Member of most Guilds worldwide in recognition of his achievements and the advancement of faceting. His is a great legacy to be remembered for some time to come. It was a pleasure knowing this gentleman facetor